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Syracuse University School of Architecture
New York City Program
Syracuse University Fisher Center
136 Madison Avenue, Floor 2 New York, NY 10016
Entrance: 19 East 31st Street

New York City Program Faculty

Ivi Diamantopoulou 

NYC Program Director
Assistant Professor of Practice

idiamant@syr.edu
T 917.722.1156

Ivi Diamantopoulou joins the School as an Assistant Teaching a Professor of Architecture Practice and Director of the New York City Architecture Program. Diamantopoulou is an architect, educator, and co-founder of New York- based New Affiliates, where she explores how architecture is shaped by, and shapes, local economies and dynamic systems through its practice and form.

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Diamantopoulou has previously taught design and theory at courses at schools including Princeton University, Columbia University, and Sarah Lawrence College, where she was the Andrew Mellon Endowed Chair in Environmental Architecture. She holds a Master of Architecture from Princeton University, where she was awarded the Suzanne Kolarik Underwood Prize for excellence in design and a Stanley J. Seeger Fellowship, as well as a Diploma with honors in Architecture and Engineering from the University of Patras in Greece.

Rami Abou-Khalil

Visiting Critic

raboukha@syr.edu

Rami Abou-Khalil (AIA, RAIC, LEED AP) is a Lebanese and Canadian architect based in New York. As an Associate Principal at the architecture, engineering and urban design firm SOM, his work spans institutional, residential and mixed use projects with a focus on cultural and high rise projects. He has recently been leading the design of 175 Park Avenue, a mixed use tower adjacent to the historic Grand Central Terminal. Rami has been a visiting critic at Columbia University's Graduate School of Architecture, Planning and Preservation, Harvard University's Graduate School of Design and McGill University's School of Architecture amongst others. In October, he designed the exhibition 'Cairo Modern' at the AIA New York Center for Architecture, an overview of modernist architecture from 20th Century Cairo curated by Mohamed Elshahed.

Yan Hu

Part-Time Instructor 

yhu223@syr.edu

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Yan studied at Concordia University in Montreal, Canada.

Han Li

Part-Time Instructor 

Li Han is a co-founder of Drawing Architecture Studio (DAS), a Beijing-based creative platform that specializes in architectural drawing, architectural design and urban studies.

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Han is a registered architect in China and studied at the Central Academy of Fine Arts in Beijing and RMIT University in Melbourne, Australia.

Nicholas McDermott

Part-Time Instructor 

nwmcderm@syr.edu 

Nicholas McDermott is a partner and co-founder at Future Expansion (FE), Office of Architecture and Urbanism, in Brooklyn, NY and serves on the faculty at the Yale School of Architecture. FE has completed projects for cultural institutions, non-profits, private clients, and commercial and multi-family housing developers. The office has won and installed multiple public space projects and participates in on-going collaborations with partner organizations, government agencies, and other offices on urban issues and opportunities for expanding methods of architectural practice. Nicholas received his BA in philosophy with honors from the University of Pennsylvania, and his M.Arch from the Yale University School of Architecture, where he was awarded the James Gamble Rogers Fellowship and the David Taylor Memorial Prize. Nicholas is a registered architect in New York State, is a LEED Accredited Professional, and serves on the Board of Directors at Design Advocates.

Alessandro Orsini 

Part-Time Instructor 

aorsini@syr.edu

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Alongside practice, he teaches design studios at Columbia University GSAPP and has served as a guest critic in multiple architecture schools, including Yale, Pratt, and Cooper Union. Alessandro has contributed to journals including Vesper, Faktur, Studio Magazine, and Forma Urbana, Architensions’ first book, published by Libria in 2015. Alessandro received his master’s in architecture “summa cum laude” at Roma Tre University in Rome and was a visiting scholar at Columbia University GSAPP.

Nicholas Roseboro 

Part-Time Instructor 

nrchapma@syr.edu

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Along with practice, he has taught at Barnard and has been a guest critic at various schools. Roseboro holds a Master of Science in Critical, Curatorial, and Conceptual Practices in Architecture (CCCP) at Columbia GSAPP, where his thesis focused on tensions between labor and leisure in the post-World War II period. Recent projects included the Common Visions Festival in San Ferdinando (RC), Italy 2023, large-scale installation The Playground, Coachella 2022, and Decolonizing Suburbia exhibited at the Center for Architecture.

Paula Vilaplana de Miguel 

Part-Time Instructor 

pvilapla@syr.edu

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Paula Vilaplana has curated and developed projects for institutions such as the Shanghai Art Biennial, The Victoria and Albert Museum, The Venice Architecture Biennial, Storefront for Art and Architecture, Princeton University, Triennale Milano, and Ca2M among others. Her work has been published in The New York Review of Architecture, the Invisible Culture Magazine at Rochester University, Arquine, and the Het Nieuwe Instituut and her projects have been featured in the press internationally. She recently developed the visual strategy for the XIII Shanghai Art Biennial and Spore Initiative in Berlin. Her research has been sponsored by the Temple Hoyne Buell Center for the Study of American Architecture, Columbia University, the International Council of the Museum of Modern Art, and La Caixa Foundation among others.

New York Program Administration

Ester Flaim

eflaim@syr.edu

Ester Flaim is the Academic Program Manager and part-time instructor at Syracuse NYC Architecture. She coordinates the NYC program with the various departments on campus and manages the program’s logistics. She also  develops new shadowships and internship opportunities for the NYC Program graduate and undergraduate students. 

Flaim has a B.A. in Intercultural Sciences and Methods from the University of Trieste, Italy, and a M.A. in Applied Linguistics from Teachers College Columbia University. Prior to joining Syracuse University, she was the Program Manager at the English Language Institute at The City College of New York (CUNY) and taught Academic Writing and English as a Second Language at Adelphi University, New York University, CUNY, The New School, Pace University, and Bard College.

Fisher Center Facility Staff

David Major

Director of Facility Operations Operations

dsmajorl@syrdsmajor@syr.edu

David Major is responsible for all aspects of managing operations for the Center including scheduling space, coordinating the support of all programs and activities, supervising staff in day-to-day operations of the facility, and addressing all scheduled and emergency maintenance issues. An alumnus of Syracuse University’s College of Arts and Sciences, Major briefly worked for the University Art Collection upon graduating.

Suzanne McGillicuddy

Director of Student Support for Remote Programs

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Kristi J. Vega, Academic Operation Specialist, Assistant to the Associate Dean | 315.443.3324 | kjvega@syr.edu
Provides administrative support to the Associate Dean in the areas of program development, services to faculty, and study abroad.

Academic Schedule

MODULE A:  August 26 - November 15

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Please note that there may be additional meeting times for the above courses, please check the semester calendar and course syllabi to verify.

Facility Addresses / Entrances / Access

The Fisher Center’s mailing address is: 136 Madison Avenue, Floor 2, New York, NY 10016. However, the entrance for faculty and students is located at 19 East 31st Street. For transportation of large materials, please use the freight elevator located at 20 E. 32nd Street. The operation hour of the freight elevator is: 8 am - 5 pm, Mon.- Fri. Unless otherwise indicated, architecture students and faculty have 24 hour access to the studio, model room, plotter room, and adjacent storage space. Spaces shared with other programs include: classrooms, lecture hall, kitchen, lounge, lavatories, and lockers.

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• To access the building: scan the Colliers Building Access pass provided to you on the black proximity reader to the right of the Employee Entrance at 19 East 31st Street.
• To access the elevators: scan the Colliers Building Access pass on the proximity reader above the floor numbers inside the elevator. You are only able to access floors 1 and 2.
• To access the second floor Fisher Center: swipe your SUID or SU card in the card reader next to the door. To exit after hours push the green exit button to the left of the door and pull the door open.
• To access the studio: Studio will not be locked throughout the semester unless during long holidays. Students are advised to take valuables with them when not in studio to prevent loss of personal belongings.

Rules & Responsibilities

Emergencies

• There are three emergency exits in the Fisher Center. One at each bank of elevators and one at the lavatories.
• In the case of a fire or other emergency exit the building through the nearest exit. Do not use the elevators unless otherwise instructed.
• For any and all instances of emergencies and situation of crises,   dial 911 immediately and follow their instructions. If Director of Operations is onsite, also inform him immediately. Afterwards please inform the Program Manager and Program Director of the situation at the earliest notice. All Emergency Response Teams must use the 136 Madison Ave entrance.
• For minor needs a small first aid kit is available at the reception desk and in the Plotter Room storage unit.

Security

• General building security maintains surveillance of all entrances 24/7. There are also surveillance cameras for safety that monitor and record the hallways and entry ways inside the Fisher Center.
• Only SU students and faculty have access to the Fisher Center from the employee entrance elevators at 19 E 31st Street.
• A log is kept of when students and faculty access the Fisher Center.
• Do not give your Colliers building access pass to anyone else (including other SU students). You are the only one with authorization to use your card.
• To replace your Colliers building access pass or SUID please contact the Program Manager and the Facility Manger. You will be charged a $50 replacement fee.

Maintenance

• Trash and recycling receptacles are placed in every space and will be emptied by a custodial service Monday-Friday between 10pm-7:30am.
• Please see attached guide to trash and recycling below.
• Although a custodian will clean the common spaces including lavatories and the kitchen once daily Monday-Friday, students are expected to clean after themselves and take care of their own belongings as these are shared spaces.
• Students are expected to disinfect their working areas. Disinfecting wipes are provided in the studio space.
• At the end of the semester, there will be an overall studio-clean up scheduled where everyone is expected to participate and to return the architectural spaces to their original condition.

Studio

• Enrolled NYC architecture students have access to the studio space 24/7.
• Each student will be assigned a desk, chair, and storage pedestal in the studio and will be responsible for the proper care of these items throughout the semester. Each item will be inspected and returned in working order at the end of the semester.
• Computer stations are available for shared use amongst NYC students enrolled in the program and faculty. Please remember to logout when you are done, so that others may use the computer. Computer keyboards must be disinfected after each use.

Plotter Room 

• Enrolled NYC architecture students have access to the plotter room 24/7.
• If paper, ink, or other supplies are out-of-stock please inform the Student Program Assistants or the Program Manager to replace them.
• A table and large-scale trimmer are provided for cutting and trimming prints. Do not trim or cut on studio desks.
• Two students will be hired to assist the Program Manager to manage technology and plotters.

Shared Spaces

• Non-architecture facilities are accessible by reservation only. Furniture must stay in their assigned locations.
• All students and faculty must be responsible for cleaning up after themselves. No papers or materials are to be left on common spaces or the front desk. Anything left behind will immediately be thrown away to insure a clean and safe environment that will easily be maintained.

New York City Research Resources

• New York Public Library: access and circulation of select items

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• New York City Fisher Center Studio Library

  
  

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  title General Library
  A History of Housing in New York City Richard Plunz Active Design; Shaping the Sidewalk Experience New York City: Various City Agencies Active Design; Shaping the Sidewalk Experience: Tools & Resources New York City: Various City Agencies Adhocism; The Case for Improvisation Charles Jencks & Nathan Silver AIA Guide to New York City; 5th Edition Norval White & Elliot Willensky with Fran Leadon American City "X" Mark Robbins Archi+Aid; Relief and Recovery by Architects for Tohoku Earthquake & Tsunami Arch+Aid Report 2012 Architect & Developer; A Guide to Self-Initiating Projects James Petty, AIA Architecture Inserted Louis I. Kahn Visiting Assistant Professorship; Yale School of Architecture Architecture: The Story of Practice Dana Cuff Bodys Isek Kingelez Sarah Suzuki; MoMA Breaking the Frame? Remaking the Criminal Justice System in NYC The City of New York Office of the Mayor Broad Channel Through Time Dan Guarino Building Practice Kyle Miller & Molly Hunker Building the Public City; the Politics, Governance, & Finance of Public Infrastructure David C Perry By-Right, By-Design Liz Falletta Case Studies in Real Estate Investment & Finance UBS Chronicles of Old New York; 2nd Edition James Roman Cities at Risk 2; The Making of a "Green District" for the west side of Manhattan Fisher Center SU Spring 2022 Cities at Risk; The Making of a "Green District" for the west side of Manhattan Fisher Center SU 2021 Cities Without Ground; A Hong Kong Guidebook Adam Frampton, Jonathan D. Solomon, Clara Wong City of Permanent Temporailty; Incomplete Unfinished Zone Urbaines Sensibles; Elma van Boxel & Kristian Koreman Climate Resiliency Design Guidelines NYC Mayor's office of Recovery & Resiliency Collage City Colin Rowe and Fred Koetter Dattner Architects Dattner Architects Designing New York: Quality Affordable Housing NYC Department of Design & Construction Empire, State & Building Kiel Moe Floor Plan Manual Housing 4th Edition Oliver Heckmann, Friederick Schneider Form + Code In Design, Art, and Architecture Casey Reas, Chandler, LUST Form Follows Finance; Skyscapers and Skylines in New York and Chicago Carol Willis Global Street Design NATCO Guide to Contemporary New York City Architecture John Hill Guide to New York City Urban Landscapes Robin Lynn, Francis Morrone Helio Piñón Mario Roberto Alvarez y Asociados High Life Condo Living in the Suburban Century Matthew Gordon Lasner Key Houses of the 20th Century; Plans, Sections & Elevations Colin Davies Key Urban Housing of the 20th Century Hilary French Learning from Las Vegas Robert Venturi, Denise Scott Brown, Steven Izenour Lost New York Marcia Reiss Made in Tokyo Momoyo Kaijima, Junzo Kuroda, Yoshiharu Tsukamoto Maintenance Architecture Hilary Sample Making It; Manufacturing Techniques for Product Design 2nd Edition Chris Leften Making the Modern World Material and Dematerialization Vaclav Smil Manhattan Austria; The Architeture of the Austrian Cultural Institute Raimund Abraham Mannahatta; A Natural History of New York City Eric W. Sanderson Manual of Biogenic House Sections Paul Lewis, Marc Tsurumaki, David Lewis Manual of Section Paul Lewis, Marc Tsurumaki, David Lewis Manufacturing Processes for Design Professionals Rob Thompson MassX Neil M. Denari Mechanical & Electrical Equipment for Buildings; 11th edition Walter T. Grondzik, Alison G. Kwok, Benjamin Stein, John S. Reynolds Modeling Messages; The Architect and the Model Karen Moon Modelmaking; a basic guide Martha Sutherland Modern American Housing Peggy Tully Mutations Rem Koolhaas, Harvard, Stefano Boeri, Sanford Kwinter, Nadia Tazi, Hans Ulrich Obrist Never Built New York Greg Goldin & Sam Lubell New York 1960; Robert M. Stern, Thomas Mellins, David Fishman New York City Landmarks 4th Edition New York City Landmarks Preservation Commission New York City Transit Authority; Graphics Standards Manual New York City Transit authority OfficeUS Manual Edited by: Eva French, Ana Miljački, Carlos Minguez Carrasco, Jacob Reidel, & Ashley Schafer Open: (In Japanese) URban Environment Design Open: Open Questions 115 URban Environment Design Paris; Haussmann Benoit Jallon, Umberto Napolito, & Franck Boutté POP: Platform/Office/Park; Tapei Railway Workshop 1.0 Angela Co & Michael Speaks, 2.0 David Erdman & Clover Lee, 3.0 David Tseng & Shu-Chang Kung & Eric Chuang Preservation is Overtaking Us Rem Koolhaas Privately Owned Public Space; The New York City Experience Jerold S Kayden, NYCDCP, MAS Processing; a programming handbook for visual designers & artists Casey Reas, Ben Fry Proposed City Fiscal Year 2016 Community Development Program The City of New York; Office of Management and Budget Proposed Consolidated Plan; Annual Performance Report Dept. of City Planning City of New York Proposed Consolidated Plan; Annual Performance Report Dept. of City Planning City of New York Proposed Consolidated Plan; Annual Performance Report Dept. of City Planning City of New York Proposed Consolidated Plan; Annual Performance Report The City of New York Raimund Abraham & The Austrian Cultural Forum New York Andres Lepik & Andreas Stadler Real Estate Development & Investment Stephen P. Peca Retail Value New York City 1 Abigail Korn, DJ Butler, Nikita Palli, Tiffany NG Retrofitting Buildings for Flood Risk NYC Department of City Planning Robert Moses; The Master Builder of New York City Pierre Christin & Olivier Balez Rotterdam Architecture City; the 100 Best Buildings Paul Groenendijk, Piet Vollaard Rubble: Unearthing the History of Demolition Jeff Byles S,M,L,XL O.M.A., Rem Koolhas, and Bruce Mau Selected Works UNSTUDIO UNSTUDIO Shenzen Shenzhen China International New Town Institute Shinkenchiku:1994 Issue: 69 Statics and Strength of Structure Salvadori Street Design Manual 2013 Second Edition New York City Dept. of Transportation Structure in Architecture; the building of buildings 2nd edition Salvadori and Heller Structures of Coastal Resilience Catherine Seavitt Nordenson, Guy Nordenson, Julia Chapman Subtraction Keller Easterling Taipei Unveiled Shu Chang, Chun-Hsiung Wang, Kwang-Ting Wu, Hsuen-Neng Chuang Ten Canonical Buildings 1950-2000 Peter Eisenman Tenements, Towers & Trash Julia Wertz The Architects Handbook of Professional Practice 13th edition The American Institute of Architects The Arsenal of Exclusion & Inclusion Interboro The Bronx Evelyn Gonzalez The Heights; Anatomy of Skyscraper Kate Ascher The Japan Architect" 1989 Issue: 64 The Newest New Yorkers 2013 Edition NYC Department of City Planning The Real Estate Game William J. Poorvu with Jeffrey L. Cruikshank The Urban Design Reader 2nd edition Michael Larice & Elizabeth Macdonald The Works; Anatomy of a City Kate Ascher Too Big; Rebuild by Design: A Transfirmative Approach to Climate Change Henk Ovink & Jelte Boeijenga Underwriting Efficiency Community Preservation Corporation 2017 Urban Ecology Richard T. T. Forman Urban Humanities Dana Cuff, Anastasia Loukaitou-Sideris, Todd Presner, Maite Zubiaurre, & Jonathan Jae-an Crisman Vision 2020; NYC Comprehensive WaterFront Plan NYC Department of City Planning We Build The City; NYC's Design & Construction Excellence Program NYC Department of Design & Construction What Goes Up; The Right and Wrongs to the City Michael Sorkin Women [Re]build Stories Polemics Futures Franca Trubiano, Ramona Adlakha, Ramune Bartuskaite Your City URS Life hsin-Chun Chen, Ying-Feng Hsu, Lin Chen, Hao-Hsin Chang, Shou-Han Wang, Li-Ya Wang Zoning Handbook 2011 Edition NYC Department of City Planning

  
  

  Expand
  title Periodicals
  A10 New European Architecture Sept/Oct 2009 #29 A10 New European Architecture Nov/Dec 2009 #30 A10 New European Architecture Jan/Feb 2010 #31 A10 New European Architecture Mar/Apr 2010 #32 A10 New European Architecture May/Jun 2010 #33 A10 New European Architecture Jul/Aug 2010 #34 A10 New European Architecture Sept/Oct 2010 #35 A10 New European Architecture Nov/Dec 2010 #36 A10 New European Architecture Jan/Feb 2011 #37 A10 New European Architecture Mar/Apr 2011 #38 A10 New European Architecture May/Jun 2011 #39 A10 New European Architecture Jul/Aug 2011 #40 A10 New European Architecture Sept/Oct 2011 #41 A10 New European Architecture Nov/Dec 2011 #42 Amsterdam Coastwards 2009 Map Amsterdam Walking and Cycle Routes 3 2013 Map Amsterdam Walking and Cycle Routes 4; Eastern Dockland 2016 Map Amsterdam Walking and Cycle Routes 6; Plan Zuid 2013 Map Amsterdam Waterside Architecture 2006 Map Architectural Digest Aug-91 Issue: #9 Vol 48  Architectural Record Dec 2006 Architectural Record Sept 2009 Barcelona Projectes d'eixample  1853-1859 Maps Detail Nov-09 Special Detail May-10 Special Detail Jul/Aug 2009 Vol 2009 4 Detail Sept/Oct 2009 Vol 2009 5 Detail Nov/Dec 2009 Vol 2009 6 Detail Jan/Feb 2010 Vol 2010 1 Detail Mar/Apr 2010 Vol 2010 2 Detail May/Jun 2010 Vol 2010 3 Detail Jul/Aug 2010 Vol 2010 4 FRAME Mar/Apr 2013 #91 influx Vol 2 Lapham's Quarterly Spring 2013 Vol VI #2 Log Winter 2009 #15 Log Spring/Summer 2009 #16 Log Fall 2009 #17 Log Winter 2010 #18 Log Spring/Summer 2010 #19 Log Fall 2010 #20 Log Fall 2012 #26 Log Winter/Spring 2013 #27 Log Fall 2013 #29 Log Fall 2004 #3 Log Fall 2014 #32 Log Winter 2015 #33 MARK Another Architecture Aug/Sept 09 #21 MARK Another Architecture Oct/Nov 09 #22 MARK Another Architecture Dec 09/Jan 10 #23 MARK Another Architecture Feb/Mar 10 #24 MARK Another Architecture Apr/May 10 #25 MARK Another Architecture Jun/Jul 10 #26 MARK Another Architecture Aug/Sept 10 #27 MARK Another Architecture Feb/Mar 2016 #60 Metropolis Apr-07 One:Twelve Winter 2013 Issue #005 Vol #003 Pidgin Magazine Fall 2010 #9 PLAT 4.0 En Masse Fall/Winter 2014 PROJECT Spring 2014 #3 Quaderns; Editorial Agenda Competition: 1993 After The Party 2011 Issue #261 Révolution Présente -nous vivons le temps des révolutions Jun-80

  
  

New York City Professional Resources

Organizations & Events

• Architectural League of New York | First Friday Studio Visits & Student Membership Program

We hold 10 student memberships and 1 institution membership, which allows for 10 people max. to attend an event at one time. To reserve yourself for an event, please go to Architectural League’s website and follow the instructions to obtain Eventbrite tickets. Our institutional promotional code is: 132680 [click here to obtain code] (login required).

• AIA Center for Architecture | Exhibitions & Events
• Design Trust for Public Space | Events
• Institute for Urban Design
• Storefront for Art & Architecture | Exhibitions & Events
• SUPERFRONT | Events
• Syracuse University Lubin House | SU Alum Center
• Urban Omnibus | Writings on Architecture and Contemporary Urban Issues
• Van Alen Institute | Competition, Lecture & Events

Museums

The New York City metropolitan area has a large number of architecture and design related museums. We encourage students to visit these museums during their personal time.

• Brooklyn Museum
• Museum of the Moving Image
• Cooper-Hewitt National Design Museum
• New Museum of Contemporary Art
• International Center of Photography
• New York Transit Museum
• MoMA
• Solomon R. Guggenheim Museum
• Museum of Arts and Design
• The Metropolitan Museum of Art, New York
• Museum of the City of New York
• Whitney Museum of American Art

Architecture/Design Schools Lecture & Exhibition Series

• City College of New York | http://ssa1.ccny.cuny.edu
• Columbia GSAPP | and events.gsapp.org
• Cooper Union | http://cooper.edu/events-and-exhibitions/events
• Parsons The New School for Design
• Pratt Institute

New York City Studio Fabrication Resources

The model room is equipped with six hot wire foam cutters as well as cutting mats. The studio is equipped with two KNK Zing paper cutters and one 5th Generation MakerBot 3d printer. Please keep shared and communal spaces clear of personal belongings and individual studio projects when they are not being used.

KNK Zing Paper Cutter

• Please read the KNK Zing user manual online. A quick start and best practices and guide are available in studio.

Services

• Laser Cutting: Anyline | 34 West 27th Street 9th Floor, New York, NY 10001
• Laser Cutting: Fabberz | 68 35th St -C548, Brooklyn, NY, 11232
• Laser Cutting: The Beehive Workshop | 2 Walnut Street, Unit 1, Hope, NJ 07844
• 3D Printing: Voodoo Manufacturing | 361 Stagg St #408, Brooklyn, NY 11206
• 3D Printing: Makerbot | 298 Mulberry Street New York, NY 10012
• Woodshop: Spark Workshop | Gowanus Brooklyn, NY
• Workshop: Makeville | 119 8th Street Unit 208, Brooklyn, NY 11215
• Printers, Inks, & Cameras: Adorama | 42 West 18th Street, New York, NY 10011
• Printing & Plotting: Staples | 442 5th Ave, New York, NY 10018
• Printing & Plotting: FedEx | 191 Madison Ave, New York, NY 10016

Materials

• Blick Art Materials | 650 6th Avenue New York City, NY 10011
• Canal Plastics Center | 345 Canal Street, New York, NY 10013
• Home Depot | 40 W 23rd St, New York, NY 10010
• Build It Green | Astoria & Brooklyn
• Kamco Supply | 506 W 21st, New York, NY | (212) 736-7350 | Blue Foam Supplier
• Prince Lumber | 404 W 15th St, New York, NY | (212) 777-1150 | Blue Foam Supplier

New York City Studio Technology Resources

Audio/Visual Services

There are ceiling-mounted digital projectors in spaces throughout the center.

Overview of the Computing Environment

The architecture computing environment at the Fisher Center is an extension of the computing environment in Slocum Hall in Syracuse; the six NYC studio computers and printers are part of the same Slocum computer lab network. Your SU NetID account works in NYC to login to the lab computers and print system, and the pay-per-print system is the same. When you print, your print job actually travels back to Syracuse where the servers are located, then returns to the NYC printers. Your course folder files and documents stored in your account reside in Syracuse, where they are fetched as needed from the studio computers or your own laptop. The speed is practically the same due to a very high speed connection between the Fisher Center and the main campus.

Internet Access

• Wireless internet access is provided through SU’s

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•  AirOrangeGlobal wireless network.

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If you have somehow lost your connection to AirOrangeX or have never connected to it, follow these steps to connect (note: this is a different process than is used on the main campus).

• Connect to AirOrangeGuest, a guest wireless network, using these steps. If it asks for a password before you can see the self-sponsor page, use Fisher44.
• You now should have Internet access. The next step is to get on AirOrangeX. Hint: don't stay on AirOrangeGuest; your guest account only lasts for a week and the guest network is less secure.
• From your web browser, go to http://airorangehelp.syr.edu. Click the Start button. Follow the steps and provide your NetID and password when requested.
• After the process is complete, you should now be connected to AirOrangeX
• The password to connect is: [click here to obtain password] (login required).
• If you run into trouble, please contact Andy Molloy, Daryl Olin, or Chris Cavino at archit.syr.edu.

Network Account

• Your SU NetID and NetID password are used to login to the studio computers, access shared network folders and utilize the pay-per-user printing service offered by the school.

Getting Help with Equipment Issues

Problems with the printing equipment such as reloading of paper, toner, ink, paper jams, etc., are taken care of collectively as a group, but should not be done if you don’t know how. Contact Ester Flaim or Andy Molloy. Andy may be able to walk you through the process over the phone. Equipment can be damaged if correct procedures are not followed, so please err on the side of caution and ask for help.

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• Contact the Fisher Center Program Manager or David Major.
• If the Academic Program Manager is unavailable or unable to solve the issue please contact Andy Molloy, Daryl Olin or Christopher Cavino (315-443-3095/3295) at archit@syr.edu.

Student Network Resources

• Google Drive - For each class you will have one folder. Within this folder you will find two subfolders. One folder is where your professors will upload materials and the second folder is where you will submit your projects.
  • The SU Google Drive may be accessed via https://drive.google.com. Log in with your SU email address with a “g” added to it, for example: your_NetID@g.syr.edu.
• OneDrive - Each student has 500gb of space in their SU OneDrive account. The OneDrive folder syncs to the cloud. Add the OneDrive app to your phone to access these files on the go. View them on any computer by visiting http://onedrive.live.com and logging in with your NetID credentials.
  • When logged into the Fisher Center studio computers, your OneDrive files will appear in the file manager under 'OneDrive - Syracuse University'.
• G drive (network drive)
  • The G drive hosts the following network folders: 
    • \Archive - This is where your projects will be archived (not available until the end of the semester).
    • \Student Resources - Here you can find software such as V-Ray for Rhino, the Drawing and Map Archive, the Architects Slide Collection, and more.
    • \Student Scans - After scanning a document or image on the printer Maggie (which has a built-in scanner), the scan shows up in this folder. Files in this folder are read-only and are auto-deleted after 24 hours. You may need to use the file timestamps to determine which ones are yours.
    • \Scratch - This temporary, shared space is accessible to all students in NYC and Syracuse. Files can be stored here for up to 24 hours, but may be deleted earlier if the folder runs low on space. Files are deleted after 24 hours.

IMPORTANT: The School will not provide backups of data left on the server or studio computers. It is essential that you make multiple backups of your work.

How to Connect to the Network G Drive from Your Laptop

https://su-jsm.atlassian.net/wiki/x/YirqC

Printing and Plotting

Network printers are located inside the plot room, which is accessed through the studio.

Printing Equipment

Printing equipment includes the following:
• HP DesignJet T1530 color plotter (Homer2), outputs large format prints
• HP DesignJet T7100 color plotter (Lisa2), outputs large format prints
• HP Color LaserJet M856dn color laser printer (Bart), outputs 8.5x11” and 11x17”
• HP LaserJet M5725 black and white laser printer (Maggie), outputs 8.5x11” and 11x17”; also provides scanning to a shared network folder called “Student Scans” on the G drive (see the section ‘Network Scanning’ below).

Paper

Only the supplied paper may be used in the equipment. No other type of paper is permitted in any of the printers or plotters (this includes transparencies, vellums, labels, cardstock, etc.). Special paper is sometimes supplied for end-of-semester reviews; check with the Program Manager for availability. There is no sheet feeding of paper permitted on the plotters.

• Both plotters (Homer2 & Lisa2) use HP Coated 26lb, 36” rolled paper.
• The color laser printer (Bart) uses HP Premium 32lb, 8.5”x11” and Hammermill 28lb, 11”x17”color laser paper.
• The black and white laser (Maggie) uses Xerox 20lb plain paper.

Maximum Printing Dimensions and File Sizes

On the plotter, the maximum paper size from the roll feed is 36” by 129”. Large file sizes (> 250 mb) sent to the printers and plotter are automatically deleted. Learn how to optimize your files before sending them to print.

How to connect your personal laptop to the network printers and release print jobs

See the following links for detailed instructions on how to add the plot room printers to your laptop, and how to release your print jobs.

• Windows - https://su-jsm.atlassian.net/wiki/x/vBvqC
• macOS - https://su-jsm.atlassian.net/wiki/x/uhvqC

How to release print jobs from a lab computer

• After sending the print, open a web browser and go to https://arch-print.syr.edu
• Login with your NetID credentials.
• On the Jobs Pending Release screen, click [print] by your job or click Release All when multiple jobs are queued.

Printing Fees

• Fees are charged for all printing and plotting on school-owned devices. These fees are used to pay for plotter maintenance, supplies and equipment replacement. Printing material not connected with architectural course work is prohibited.
• Fees for printing are automatically deducted from your plot account balance as you print, according to the fee structure below.
• Each student printing account is given annually a $25.00 (or $12.50 for one semester) credit to compensate for times when the printer jams, runs out of ink or toner, or crashes in the middle of the print job. This credit shows up as a ‘free quota’ in the printing system. The free quota will automatically be tapped before the account balance is used.

Plotting and printing fee structure

How to add money and check your printing account balance

• Log into the Architecture Papercut website at https://arch-print.syr.edu and go to the ‘Add Credit’ tab to add funds. You can use a credit card or a debit or gift card with the Visa or MasterCard logo.
• Printing fees:
  

Network Scanning

The printer called Maggie (HP LaserJet M725) provides scanning up to 11"x17” in color and b/w. Scanned documents are automatically placed on the G drive in the Student Scans folder on the network, where they can be retrieved for 24 hours before automatic deletion.

How to Scan

• Place document on glass
• On the control pad, press ‘Save to Network Folder’
• On the left under ‘Quick Sets’, there are a few PDF scan configurations that are set up.
• The default file name for scanned files is ‘scan-file’. You can rename it or accept the default.
• You can change the settings by pressing ‘More Options’. You can change the output file type, resolution, or switch between color/b&w. Please do not save the changes to the existing configurations.
• When you are ready to scan, push the green Start button on the printer.
• After scanning is complete, retrieve the files from the G:\Students Scans\ on the network. You may need to use the timestamp of the files to determine which ones are yours.
• Files are auto-deleted from the G:\Students Scans\ after 24 hours.

Workstation Computers

Six Dell Precision computers are available for use in studio. These computers are similar to the lab computers back in Syracuse in that they have all the same software. They are actually part of the same computer lab environment as those in Slocum Hall. Please use your SU NetID and NetID password to login. While logged in, you can reach the same network drives as on your laptop and print to the network printers and plotters using the pay-per-plot system. The computer specs include a Xeon multi-core cpu, 16-32gb of RAM, 1tb SSD, and 27” monitor with 2560x1440 resolution.

Software installed includes everything at this link: http://soa.syr.edu/resources/technology/computing/computer-labs/.

Digital Platforms and Resources

• Learn about the tools and methods used in remote and in-person learning (including Zoom, Blackboard, Conceptboard and more).
• Additional computing resources for students include how to install software, use of the render farms, and more.

Equipment Available for Sign-out

See the Program Manager to sign out the following:

• Cameras: Canon DSLR Rebel T7 with 55mm and 250mm lenses (PDF manual)
• Camera tripods
• Tascam Digital Recorder (PDF manual)
• Logitech Meetup webconferencing system + tripod

  • The basic workflow for using the Meetup is:

    • Attach the Meetup to the tripod by clipping in the shoe.
    • Place tripod at end of conference table or wherever is convenient.
    • Plug in AC power.
    • Optionally plug in the extra puck mic (you may or may not need this, as the Meetup’s built in mics are pretty powerful).
    • Plug in USB-C cable and attach to laptop.
    • There is no need to install special software on the laptop—the Meetup’s camera, mic and speaker will all appear as choices in Zoom, Teams, etc. (They will need to be selected to avoid using the laptop’s built in devices.)
    • The remote control for the camera functions when the Meetup is plugged into power *and* a laptop. You can then use the remote to move the camera lens around and zoom in or out. Sometimes the camera moves around on its own, so you may need to periodically reposition it using the remote.
      
      
      

Neighborhood Restaurants

• Bareburger
• Bread & Butter
• Cask Bar + Kitchen
• Cup Cup
• Eataly
• Food Gallery 32
• Franchia
• Grace Street
• Her Name is Han
• La Vie en Szechuan
• Le Parisien
• Piccolo Cafe
• Pocha 32
• Poke Chan
• Sapori
• Woorijip Authentic Korean

Waste Management Reference